Performer: Michelle DeYoung

Netia Jones’ modern reimagining intrigues more than it convinces, but still makes a strong case for Dvořák’s dark fairy tale. 

Claus Guth's new production at the Metropolitan Opera, originally seen at the Bolshoi in 2021, moves the action from biblical Judea to the era of the opera's composition. 

Alan Gilbert and his NDR Elbphilharmonie Orchester partner first Igor Levit, and then Michelle DeYoung and Gerald Finley, in a night of outstanding music-making devoted to the music of Bartók.

Yannick Nézet-Séguin combines the composer's unfinished Ninth Symphony, Te Deum and the motet Christus factus est to create an ultimate realization of religious faith and artistic expression.

Simone Young marks the start of her tenure at the helm of the Sydney Symphony with a performance that showcases the outstanding acoustics of the renovated Concert Hall.