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Performer: New York City Ballet

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New York CityMasters at Work: Balanchine & Robbins I

Bach, Hindemith
George Balanchine; Jerome Robbins; New York City Ballet

New York CityMasters at Work: Balanchine & Robbins II

Various, Debussy, Haieff, Donizetti
George Balanchine; Jerome Robbins; New York City Ballet

New York CityBalanchine + Ratmansky I

Delibes, Lalo
George Balanchine; Alexei Ratmansky; New York City Ballet

New York City21st Century Choreography I

Shaw
Justin Peck; Gianna Reisen; Kyle Abraham; New York City Ballet

New York City21st Century Choreography IIWorld premiere

Deacon
Alysa Pires; Christopher Wheeldon; Justin Peck; New York City Ballet

New York CityMasters at Work: Balanchine & Robbins III

Glazunov, Stravinsky, Bernstein
George Balanchine; Jerome Robbins; New York City Ballet
Latest reviewsSee more...

The Sleeping Beauty: NYCB relishes this traditional version

If the famous fairy variations in the Prologue can sometimes expose weaknesses, NYCB proved that it excels in pure classical ballet and not only in the neo-classical repertory.
*****
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Justin Peck's Copland Dance Episodes is 80 minutes of freewheeling!

Over twenty-two vignettes, some long, others short, a cast of thirty pedestrianizes ballet. The work suggests that who you are matters more than what you do. 
****1
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NYC has a new bird in town

The company’s latest Firebird is Isabella LaFreniere. She’s perfect for the role. LaFreniere is tall, commanding, magisterial, with unusually liquid arms and an expressive back.
****1
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Their joyous performance was a heartwarming win!

I must admit I like NYCB’s recent trend away from the themed programming. The combinations can seem strange, but the performances have more variety.
****1
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Sterling Hyltin enchants in NYCB's Nutcracker... One last time

When she retires next week, part of me likes to think she’s not really retiring. She’s just decided to stay in the Land of Sweets.
*****
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Classic NYCB I... Or when the middle act is really the closer

Concerto DSCH received a raucous reception during curtain calls. It’s a classic closer for an evening in that it sends everyone home happy. It doesn’t below as the middle ballet. Programming gods at NYCB, are you listening?
****1
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