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Artiste: New York City Ballet

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New YorkContemporary Choreography I – New York City Ballet

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Morlock, Stravinsky, compositeurs divers, Blake
Justin Peck; Kyle Abraham; Alysa Pires; Jennifer Archibald; New York City Ballet; New York City Ballet Orchestra

New YorkEclectic NYCB I – New York City Ballet

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Ligeti, Mahler, Chabrier
Christopher Wheeldon; Alexei Ratmansky; George Balanchine; New York City Ballet; Holly Hynes; Mark Stanley; New York City Ballet Orchestra

New YorkAll Balanchine I

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Rieti, Xenakis, Ives, Tchaïkovski
George Balanchine; New York City Ballet; John Taras; Marc Happel; Mark Stanley; New York City Ballet Orchestra

New YorkMasters at Work I – New York City Ballet

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Delibes, Hindemith, Chopin
George Balanchine; Jerome Robbins; New York City Ballet; Barbara Karinska; Ronald Bates; New York City Ballet Orchestra

New YorkAdrian Danchig-Waring Farewell – New York City Ballet

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Hindemith, Brahms, Stravinsky
George Balanchine; Lar Lubovitch; Pam Tanowitz; New York City Ballet; David Hays; Barbara Karinska; Mark Stanley; New York City Ballet Orchestra

New YorkThe Nutcracker – New York City Ballet

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Tchaïkovski: Casse-Noisette
Marius Petipa; Lev Ivanov; George Balanchine; New York City Ballet; Rouben Ter-Arutunian; Barbara Karinska; Jean Rosenthal; New York City Ballet Orchestra
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Les Etés de la Danse: NYCB

Le New York City Ballet est à l’affiche de la douzième édition des Etés de la Danse au Théâtre du Châtelet. Cette participation est une première attendue de longue date, alors que le festival a déjà accueilli de nombreuses compagnies américaines.

Jewels endures: New York City Ballet’s fall season opens

Adrian Danchig-Waring and Emilie Gerrity in George Balanchine’s Emeralds from Jewels © Erin Baiano
Despite its gaudy sets and stretches of ho-hum choreography, Balanchine’s Jewels remains a triumph for New York City Ballet. 

BAAND Together Season 6: five New York dance companies reconvene

Andrea Mish, Kevin Ortiz Lemus, Amanda Ostuni and Thierry Blannchard in Trança © Rosalie O'Connor
It's become a summer dance tradition: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet and Dance Theatre of Harlem in a joint program at Lincoln Center.

At NYCB, Fairchild bids adieu in her final performances of Coppélia

Megan Fairchild as Swanilda and Robert La Fosse as Dr Coppélius in Balanchine’s Coppélia © Erin Baiano
Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

Good vibrations: Robbins, Balanchine and Bach at New York City Ballet

Emilie Gerrity and Unity Phelan in George Balanchine’s Concerto Barocco © Erin Baiano
Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet. 

Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious

Kloe Walker and Mira Nadon with the Company in Tiler Peck’s Symphonie Espagnole © Erin Baiano
A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.
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Choreographing Stravinsky: Balanchine and the Violin Concerto

Lesley Rausch and Jerome Tisserand in Aria I © Pacific Northwest Ballet
An exploration of the two central movements – a pair of contrasting pas de deux – in Balanchine's black-and-white masterpiece, Stravinsky Violin Concerto.