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Performer: Nicole Cabell

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LenoxSaturday Morning Open Rehearsal Schoenberg and Beethoven

Schoenberg, Beethoven
Boston Symphony Orchestra; Giancarlo Guerrero; Nicole Cabell; J'Nai Bridges; Nicholas Phan; Morris Robinson

LenoxGiancarlo Guerrero conducts Schoenberg and Beethoven

Schoenberg, Beethoven
Boston Symphony Orchestra; Giancarlo Guerrero; Nicole Cabell; J'Nai Bridges; Nicholas Phan; Morris Robinson

BostonAndris Nelsons conducts Poulenc, Beethoven, and Nathan

Poulenc, Beethoven, Nathan
Boston Symphony Orchestra; James Burton; Lucas Jussen; Arthur Jussen; Nicole Cabell; Tanglewood Music Center Vocal Fellows

AtlantaAn All-Star Cast Sings Mahler's "Symphony of a Thousand"

Mahler: Symphony no. 8 in E flat major "Symphony of a Thousand"
Atlanta Symphony Orchestra; Robert Spano; Evelina Dobračeva; Erin Wall; Nicole Cabell; Michelle DeYoung
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Porgy and Bess at ENO: Gershwin's music the winner

Nicole Cabell (Bess), Eric Greene (Porgy) © Tristram Kenton
Porgy and Bess isn’t a perfect opera, but English National Opera's new production is a strong one. 
****1
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Eliogabalo’s dark carnival in Amsterdam

Franco Fagioli (Eliogabalo) © Ruth Walz | DNO
Cappella Mediterranea blows life into Eliogabalo’s dark carnival as imagined by Thomas Jolly.
***11
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Hats off to David Hill at the Barbican

At very short notice David Hill stepped in to conduct an all-French programme with the London Symphony Orchestra where serenity, elegance and passion were all beautifully communicated.
****1
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Charles Dutoit conducts the RPO in strikingly colourful performances of Ravel's Daphnis et Chloé and Poulenc's Gloria.

Charles Dutoit conducts the RPO in strikingly colourful performances of Ravel's Daphnis et Chloé and Poulenc's Gloria
****1
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Bellini's I Capuleti e i Montecchi in San Francisco

In the last few decades, Bellini’s I Capuleti e i Montecchi has flirted with standard repertory status, but it has not sufficiently won the hearts of opera-goers to warrant more than the occasional production. Though blessed with some of the composer’s finest melodies, the opera has problems for modern audiences.
**111
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