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Masks and obsessions: Evgeny Titov’s Salome at Komische Oper Berlin
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Salome is faceless and the Dance of the Seven Veils becomes a sardonic commentary on seduction in Komische Oper Berlin's austere new staging.
Curtain rises on ENO’s Traviata revival
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Peter Konwitschny's production of La traviata has its flaws, but in an age of protracted media there is much to be said for his taut production of Verdi's most famous tragedy.
Letting Górecki’s music do the work: Symphony of Sorrowful Songs
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House debutants, soprano Nicole Chevalier and conductor Lidiya Yankovskaya, excel in Isabella Bywater's Górecki staging to close English National Opera's season.
