In Batsheva’s German premiere of Momo, there is no narrative to be found, but rather a series of atmospheric sequences, creating a texture of inputs as ambiguous as reality itself.
In a three-bill programme that opens its season, the Zurich Ballet celebrates works of three choreographers who all pioneered new genres in contemporary dance.
Erin Bomboy has been writing about dance since 2013. She trained as a classical ballet dancer and spent a decade as a professional competitive ballroom dancer. She holds an MFA in Dance Performance and Choreography from New York University Tisch School of the Arts, where she was mentored by Deborah Jowitt. She lives in New York City with her husband, daughter and fabulous Maine Coon cat. In her free time, Erin enjoys bacon, books, wine and working out.
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