Live EventsEn voir plus...
SydneyThe Merry Widow
Lehár: Die Lustige Witwe (La Veuve joyeuse)
Vanessa Scammell; Graeme Murphy; Opera Australia; Michael Scott-Mitchell; Jennifer Irwin; Damien Cooper; Opera Australia Orchestra
SydneyRigoletto
Verdi: Rigoletto
Sesto Quatrini; Elijah Moshinsky; Opera Australia; Michael Yeargan; Robert Bryan; Opera Australia Orchestra
SydneyThe Drover’s Wife
Palmer: The Drover’s Wife
Tahu Matheson; Leah Purcell; Opera Australia; Isabel Hudson; Tess Schofield; Karen Norris; Opera Australia Orchestra
Critiques récentesEn voir plus...
Opera Australia’s Eugene Onegin shines musically
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Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.
Humperdinck hobbled in Opera Australia revival
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Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well.
A psychological Turandot in Ann Yee's Opera Australia staging
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Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.
Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney
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Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House
Watery magic as Nicole Car makes a triumphant return to Sydney
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Nicole Car makes her role debut as Dvořák's Rusalka in a production by Sarah Giles that proves a winner.
Danielle de Niese makes Carmen debut in a colourful new Sydney staging
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Danielle de Niese's assumes the title role at the Sydney Opera House, leading an impressive cast with an interesting approach to characterisation with a somewhat over the top blingy setting.
Articles récents
Behind the scenes: Opera Australia’s vast, digital Ring cycle
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“Go digital!” was the brief to director Chen Shi-Zheng, who has employed cutting-edge visualisation technology and motion-tracking for the 15-hour Wagner cycle in Brisbane.
Trans-Pacific space-age Wagner: Chen Shi-Zheng’s hybrid Ring cycle
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The first director of Asian descent to stage Der Ring des Nibelungen in its entirety talks about his refusal to follow existing formulas in this new production for Opera Australia.
Stefanie Paglialonga on the secrets of wig making
We talk to Stefanie Paglialonga, Head of the Wig Department at Opera Australia, to find out more about this unique profession.