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Performer: Orchestra del Teatro alla Scala

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LuganoMozart's La finta giardiniera in concert

Mozart's *La finta giardiniera* in concert
Mozart: La finta giardiniera
Diego Fasolis; Krešimir Špicer; Julie Martin du Theil; Bernard Richter; Maria Grazia Schiavo

MilanL'elisir d'amore

Donizetti: L'elisir d'amore
Michele Gamba; Grischa Asagaroff; Teatro alla Scala; Tullio Pericoli; Rosa Feola; René Barbera


Adam: Giselle
Jean Coralli; Jules Perrot; Teatro alla Scala; David Coleman; Alexandre Benois; Svetlana Zakharova


Francesconi: Quartett
Maxime Pascal; Àlex Ollé; Teatro alla Scala; Lluc Castells; Alfons Flores; Allison Cook; Robin Adams

MilanGiulio Cesare in Egitto, (Julius Caesar in Egypt) HWV 17New Production

Handel: Giulio Cesare in Egitto, (Julius Caesar in Egypt) HWV 17
Giovanni Antonini; Robert Carsen; Teatro alla Scala; Gideon Davey; Bejun Mehta; TBC
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“Verdi's ugliest opera” returns to La Scala with mixed results

Lisette Oropesa (Amalia) © Marco Brescia & Rudy Amisano | Teatro alla Scala
In the role created for Jenny Lind, Lisette Oropesa, in her debut in the theater, shows her magnificent silvery voice, beautiful vibrato and impeccable colorature.
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Korngold's Die tote Stadt at La Scala for the first time: a triumph

Die Tote Stadt, Teatro alla Scala © Brescia/Amisano | Teatro alla Scala
The wealth of visual images displayed by director Graham Vick goes with the extraordinary richness of Korngold's music.
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Ariadne in Milan: the director cannot find the thread

Ariadne auf Naxos © Brescia/Amisano | Teatro alla Scala
Frederic Wake-Walker sticks to a vapid pop-parody that demeans the intellectual message of Strauss' Ariadne auf Naxos.
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Fluctuating around Virginia's tissues of the mind

Alessandra Ferri in I now/ I then © Brescia & Amisano | Teatro alla Scala
Alessandra Ferri, the former La Scala Prima Ballerina Assoluta, makes her triumphant return to Milan as the moving incarnation of Virginia Woolf in Wayne McGregor's most mature, complete and striking piece to date.
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Gergiev conducts a grandiose Khovanshchina at La Scala

Evgenia Muraveva (Emma) and Mikhail Petrenko (Khovansky) © Marco Brescia & Rudy Amisano | Teatro alla Scala
In Khovanshchina, even more so than in Boris Godunov, the chorus is the chief protagonist and the La Scala chorus was truly astonishing.
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