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Geneva200 MotelsNew production
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Zappa: 200 Motels – The Suites
Titus Engel; Daniel Kramer; Grand Théâtre de Genève; Justin Nardella; Shalva Nikvashvili; Simon Trottet; Orchestre de la Suisse Romande
CardiffBluebeard’s Castle + Oedipus Rex

Bartók, Stravinsky
Lidiya Yankovskaya; Joe Hill-Gibbins; Welsh National Opera; Milla Clarke; Welsh National Opera Orchestra; Nathan Berg
LlandudnoBluebeard’s Castle + Oedipus Rex

Bartók, Stravinsky
Lidiya Yankovskaya; Joe Hill-Gibbins; Welsh National Opera; Milla Clarke; Welsh National Opera Orchestra; Nathan Berg
SouthamptonBluebeard’s Castle + Oedipus Rex

Bartók, Stravinsky
Lidiya Yankovskaya; Joe Hill-Gibbins; Welsh National Opera; Milla Clarke; Welsh National Opera Orchestra; Nathan Berg
OxfordBluebeard’s Castle + Oedipus Rex

Bartók, Stravinsky
Lidiya Yankovskaya; Joe Hill-Gibbins; Welsh National Opera; Milla Clarke; Welsh National Opera Orchestra; Nathan Berg
PlymouthBluebeard’s Castle + Oedipus Rex

Bartók, Stravinsky
Lidiya Yankovskaya; Joe Hill-Gibbins; Welsh National Opera; Milla Clarke; Welsh National Opera Orchestra; Nathan Berg
Latest reviewsSee more...
Wretches like us: the LPO’s concert Wozzeck cuts to the quick
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Beautifully prepared singing and playing brings out the tender side to Berg's modernist classic as part of the Southbank Centre’s Multitudes festival.
Siegfried at the RBO: Kosky and Pappano surprise and delight
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A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.
The Royal Opera stages its first Makropulos Case
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Katie Mitchell wheels out her tired old tropes in The Makropulos Case, redeemed by its musical performances.
To the Moon and back: Janáček’s Mr Brouček visits Berlin
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Robert Carsen's new production of Janáček’s The Excursions of Mr Brouček for the Staatsoper Unter den Linden scores a well-deserved success thanks to a stellar – or rather, lunar – conducted by Sir Simon Rattle.
Tcherniakov’s bold reading of Rusalka opens the season in Naples
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Dmitri Tcherniakov’s staging of Rusalka in Naples has a starkly modern visual style which occasionally dilutes the story’s emotional impact.
McBurney's delightfully batty Magic Flute returns to the Coliseum
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English National Opera brings back Simon McBurney's theatre of wonders for this Mozart classic.
