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Performer: Raimund Orfeo Voigt

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StockholmDer Ferne KlangNew production

© Carl Thorborg
Schreker: Der Ferne Klang (The Distant Sound)
Stefan Blunier; Christof Loy; Royal Swedish Opera; Raimund Orfeo Voigt; Barbara Drosihn; Agneta Eichenholz; Daniel Johansson

ViennaSamson et Dalila

Saint-Saëns: Samson et Dalila
Frédéric Chaslin; Alexandra Liedtke; Vienna State Opera; Raimund Orfeo Voigt; Su Bühler; José Cura; Anita Rachvelishvili

MunichFalstaffNew production

Verdi: Falstaff
Kirill Petrenko; Mateja Koležnik; Bavarian State Opera; Raimund Orfeo Voigt; Wolfgang Koch; Aleksandra Kurzak
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Softly awakes my cold, cold heart: Samson et Dalila

Elīna Garanča (Dalila) and Roberto Alagna (Samson) © Wiener Staatsoper | Michael Pöhn
Saint-Saëns' exotic dip into the Bible is given a cool update in Alexandra Liedtke's new production at the Wiener Staatsoper.
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Death in Florence: Zemlinsky and Puccini at DNO

Ausrine Stundyte (Bianca) and John Lundgren (Simone) © Matthias Baus
An unlikely coupling of one-act operas by Zemlinsky and Puccini bears fruit in a staging that reveals their thematic parallels while leaving their obvious differences on show.
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Demons and angels: Der Freischütz at La Scala

Michael König (Max) and Gunther Groissböck (Kaspar) © Marco Brescia & Rudy Amisano | Teatro alla Scala
Hartmann's staging takes a bizarre twist in the end since so far the staging had followed the naïve story very faithfully without any weird implications.
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A safe bet: Fidelio at the Grand Théâtre

A fairly conventional version of Beethoven's Fidelio at the Grand Théâtre in Geneva plays it safe and ultimately succeeds. 
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El teatro y su doble: Capriccio en el Real

© Javier del Real | Teatro Real
Esta Capriccio es moderna porque se mantiene escrupulosamente fiel a los códigos de los salones intelectuales del siglo XVIII. Y también es realista porque detecta con irreverente precisión y astuta elegancia el interrogante filosófico que atraviesa el testamento operístico straussiano y la época en que se inscribe.
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