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Performer: Rinaldo Alessandrini

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AmsterdamMonteverdi's madrigals

© Emilie Moysson / Naïve
Monteverdi: Book III Madrigals: selected songs
Concerto Italiano; Rinaldo Alessandrini; Monica Piccinini; Sonia Tedla Chebreab; Maria Chiara Gallo; Andrés Montilla-Acurero

LondonConcerto Italiano: Monteverdi’s Madrigals

© Javier Sierra
Monteverdi: Book III Madrigals: selected songs
Concerto Italiano; Rinaldo Alessandrini

QuebecLe Concerto italiano et Rinaldo Alessandrini | Club musical de Québec

© Marco Caselli Nirmal
Bach
Concerto Italiano; Rinaldo Alessandrini

BolognaSemeleConcert performance

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Handel: Semele
Rinaldo Alessandrini; Teatro Comunale di Bologna; Orchestra del Teatro Comunale di Bologna; Coro di Teatro Comunale di Bologna; Suzanne Jerosme; Jorge Navarro Colorado
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Handel’s Alcina makes its overdue Rome debut

Carlo Vistoli (Ruggiero) and Mariangela Sicilia (Alcina) © Fabrizio Sansoni | Teatro dell’Opera di Roma
Illusion – theatrical illusion – is the theme of Pierre Audi's staging of Alcina, Handel’s beloved opera which finally makes its debut in Rome. 
****1
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Rinaldo conducts Rinaldo at the Karlsruhe Handel Festival

Valeria Girardello (Armida) © Felix Grünschloß
With dazzling set designs and powerhouse sopranos, Karlsruhe’s Rinaldo upholds the opera's Baroque fantasy allure in a flawed yet fascinating production, conducted by Rinaldo Alessandrini. 
***11
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Sincerity over sexiness in Tokyo's Giulio Cesare

Daichi Fujiki (Tolomeo) and Marianne Beate Kielland (Giulio Cesare) © Masahiko Terashi | New National Theatre, Tokyo
Laurent Pelly's Night in the Museum production of Giulio Cesare is finally staged at the New National Theatre, Tokyo, after its 2020 pandemic cancellation.
***11
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Young Donizetti pays his debt to Rossini in Bergamo

Donizetti's music in this early opera has the freshness and liveliness of his most mature comic works, but l barbiere di Siviglia and La Cenerentola were just a few years before, as one could easily perceive.
***11
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Concerto Italiano’s classy L’Orfeo thrills

Concerto Italiano excels performing Baroque music, especially the works of Monteverdi. This year it highlights L’Orfeo in its 410th year, and does it exceptionally well.
****1
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Waiting room blues: Orfeo ed Euridice in Oslo

Director and choreographer Jo Strømgren's production of Gluck's Orfeo ed Euridice brings together ballet and opera, but succeeds only with limited results.
**111
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