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Underscoring the power of the orchestra: Ostrava Days
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Comprised of some 60 musicians from 16 countries, the Ostrava New Orchestra paint pictures of prisons and caves, gardens and machines, in works by students and 20th-century masters.
Hamburg's Die Tote Stadt: excellent singing but muddled staging
Hamburg's revival of a 2015 production is a musical success, but the director's concepts are sometimes too dense to tell a straightforward story.
Modern terror: Salome in Stuttgart
Director Kirill Serebrennikov gives us a frightening new reality of the modern world beset by war and terrorism in his reimagining of Strauss's Salome