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Performer: Rowan Pierce

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ParisPassion selon Saint Jean

© Holger Scneider
Bach: St John Passion, BWV245
Basel Chamber Orchestra; Hans-Christoph Rademann; Rowan Pierce; Henriette Gödde; Patrick Grahl; Tobias Berndt

BuxtonAmadigi di Gaula

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Handel: Amadigi di Gaula
Erin Helyard; Olivia Fuchs; Buxton Festival Opera; Eleanor Bull; Ben Pickersgill; The English Concert

High WycombeIl ritorno d'Ulisse in patriaNew production

Ed Lyon (Ulisse) © Julian Guidera
Monteverdi: Il ritorno d'Ulisse in patria (The Return of Ulysses to his Country), SV 325
Laurence Cummings; John Caird; Garsington Opera; Robert Jones; Paul Pyant; The English Concert

ParisElias de Mendelssohn / Maxim Emelyanychev

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Mendelssohn: Elijah
Orchestre Philharmonique de Radio France; Maxim Emelyanychev; Chœur de Radio France; Maîtrise de Radio France; Carolyn Sampson; Rowan Pierce
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Monteverdi and Ulisse return happily to Garsington Opera

Ed Lyon (Ulisse) © Julian Guidera
Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.
****1
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Cummings and the AAM win ‘Leipzig's Got Talent’

Helen Charlston, Rowan Pierce, Nick Pritchard and Ben Kazez with the AAM © Mark Allan
The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor. 
*****
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Thrilling moments in Alexander’s Feast at the Three Choirs Festival

Three Cathedral Choirs © Dale Hodgetts

A rare performance of one of Handel’s choral extravaganzas, given a forthright outing in Hereford Cathedral that highlights the power, if not the subtlety, of music. 

***11
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Bernstein’s devastating double bill of raw emotion cuts to the bone

Wallis Giunta (Dinah) © Marc Brenner 2024
Henry Neill gives a devastating performance as Sam in Trouble in Tahiti in The Royal Opera’s Bernstein double bill in the Linbury Theatre. 
****1
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Fairy style for the Fairest Isle: King Arthur at Temple Church

Henry Purcell © Public domain
A concert performance of a Purcell semi-opera can never fully succeed, but compromise is worth it, if it enables us to hear a significant part of a major composer's output.
****1
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Polyphony and the OAE’s dramatic St John Passion

Whether surrounded by lanterns and weapons, or musicians and fellow congregation members, one is deeply involved in this work.
*****
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OxfordHandel's Messiah

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Handel: Messiah
Academy of Ancient Music; Owen Rees; Rowan Pierce; Esther Brazil; Ted Black; Ashley Riches