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Artiste: Rowan Pierce

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ParisPassion selon Saint Jean

© Holger Scneider
Bach: Passion selon saint Jean, BWV245
Kammerorchester Basel; Hans-Christoph Rademann; Rowan Pierce; Henriette Gödde; Patrick Grahl; Tobias Berndt

BuxtonAmadigi di Gaula

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Haendel: Amadigi di Gaula
Erin Helyard; Olivia Fuchs; Buxton Festival Opera; Eleanor Bull; Ben Pickersgill; The English Concert

High WycombeIl ritorno d'Ulisse in patriaNouvelle production

Ed Lyon (Ulisse) © Julian Guidera
Monteverdi: Il ritorno d'Ulisse in Patria (Le Retour d'Ulysse dans sa patrie), SV 325
Laurence Cummings; John Caird; Garsington Opera; Robert Jones; Paul Pyant; The English Concert

ParisElias de Mendelssohn / Maxim Emelyanychev

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Mendelssohn: Elias
Orchestre Philharmonique de Radio France; Maxim Emelyanychev; Chœur de Radio France; Maîtrise de Radio France; Carolyn Sampson; Rowan Pierce
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Monteverdi and Ulisse return happily to Garsington Opera

Ed Lyon (Ulisse) © Julian Guidera
Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

Cummings and the AAM win ‘Leipzig's Got Talent’

Helen Charlston, Rowan Pierce, Nick Pritchard and Ben Kazez with the AAM © Mark Allan
The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor. 

Thrilling moments in Alexander’s Feast at the Three Choirs Festival

Three Cathedral Choirs © Dale Hodgetts

A rare performance of one of Handel’s choral extravaganzas, given a forthright outing in Hereford Cathedral that highlights the power, if not the subtlety, of music. 

Bernstein’s devastating double bill of raw emotion cuts to the bone

Wallis Giunta (Dinah) © Marc Brenner 2024
Henry Neill gives a devastating performance as Sam in Trouble in Tahiti in The Royal Opera’s Bernstein double bill in the Linbury Theatre. 

Fairy style for the Fairest Isle: King Arthur at Temple Church

Henry Purcell © Public domain
A concert performance of a Purcell semi-opera can never fully succeed, but compromise is worth it, if it enables us to hear a significant part of a major composer's output.

Polyphony and the OAE’s dramatic St John Passion

Whether surrounded by lanterns and weapons, or musicians and fellow congregation members, one is deeply involved in this work.
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OxfordHandel's Messiah

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Haendel: Le Messie
Academy of Ancient Music; Owen Rees; Rowan Pierce; Esther Brazil; Ted Black; Ashley Riches