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Performer: Sächsischer Staatsopernchor Dresden

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DresdenAdvent Concert of ZDF

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Staatskapelle Dresden; Joshua Weilerstein; Regula Mühlemann; Sächsischer Staatsopernchor Dresden; TBC

DresdenSymphony concert in commemoration of the destruction of Dresden

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Brahms
Staatskapelle Dresden; Herbert Blomstedt; Sächsischer Staatsopernchor Dresden

DresdenPalm Sunday Concert

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Strauss R., Beethoven
Staatskapelle Dresden; Daniele Gatti; Sara Blanch; Christa Mayer; Bernard Richter; Georg Zeppenfeld

DresdenBeethoven. Four days. Nine symphonies.

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Beethoven
Staatskapelle Dresden; Daniele Gatti; Sara Blanch; Christa Mayer; Bernard Richter; Georg Zeppenfeld
Latest reviewsSee more...

Thielemann bids farewell to Dresden with an excellent new FroSch

Camilla Nylund (The Empress) © Semperoper Dresden | Ludwig Olah
David Bösch directs a creative and thoughtful new production of Die Frau ohne Schatten at the Semperoper in Christian Thielemann's final opera as Principal Conductor. 
*****
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Detlev Glanert's Die Jüdin von Toledo premieres at the Semperoper

Christoph Pohl (Alfonso), Lilly Jørstad (Esther), Heidi Stober (Rahel) and chorus © Semperoper Dresden | Ludwig Olah

Robert Carsen stages the world premiere production of Glanert's opera, based Franz Grillparzer's 1851 play, in stringent, minimalist style. 

*****
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Moving singing, but missed opportunities in Dresden’s new Aida

Katharina Thalbach offers a traditional staging at the Semperoper, with fine vocal performances led by Krassimira Stoyanova, Francesco Meli and Oksana Volkova. 
***11
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Peter Konwitschny returns to the Semperoper with Les Huguenots

John Osborn leads a very successful premiere of Peter Konwitschny's new production of Meyerbeer's Les Huguenots in Dresden
****1
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Nabucco marks a successful debut of Saioa Hernández as Abigaille

Saioa Hernández leads a solid cast in Dresden in a somewhat disappointing new production by David Bösch.

***11
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Folk rhythms and changing times in Dresden's Bartered Bride

What brought real distinction and authenticity to the evening, as so often in this house, was the outstanding playing of the Staatskapelle conducted by Tomaš Netopil. From the start of the overture with its rapidly scurrying fugato for strings and pointed phrasing from the woodwind one felt the true sense of Smetana’s Czech inflected rhythms and harmonies
***11
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