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Performer: Sara Mingardo

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AmsterdamAlessandro Scarlatti's Telemaco

Het Concertgebouw
Scarlatti: Telemaco, ossia L'isola di Circe
Marcello di Lisa; Concerto dei cavalieri; Roberta Mameli; Rachel Redmond; Sara Mingardo

GenevaIl ritorno d'Ulisse in patria (The Return of Ulysses to his Country), SV 325

Monteverdi: Il ritorno d'Ulisse in patria (The Return of Ulysses to his Country), SV 325
Fabio Biondi; FC Bergman; Grand Théâtre de Genève; Mariel Manuel; Ken Hioco; Europa Galante

BarcelonaCor de Cambra del Palau, Europa Galante & Biondi

Palau de la Música - Orfeó Català
Monteverdi: Il ritorno d'Ulisse in patria (The Return of Ulysses to his Country), SV 325
Fabio Biondi; Sara Mingardo; Giuseppina Bridelli; Mark Padmore; Chamber Chorus of the Palau de la Música Catalana
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BordeauxLa Vie du Christ: Nativité

Bach, Praetorius
Raphaël Pichon; Bertrand Couderc; Julian Prégardien; Huw Montague Rendall; Ying Fang

BordeauxLa Vie du Christ: Passion

Bach, Gallus
Raphaël Pichon; Bertrand Couderc; Julian Prégardien; Huw Montague Rendall; Ying Fang

BordeauxLa Vie du Christ: Résurrection, Ascension

Bach
Raphaël Pichon; Bertrand Couderc; Julian Prégardien; Huw Montague Rendall; Ying Fang
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Castellucci’s makeover of Mozart’s Requiem at the Adelaide Festival

A work designed to be performed in church has become a dramatic music theatre event that captured and held me enthralled throughout in a meditation on both death and life.

****1
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Handel at La Scala, and it's a sensation

Carsen's modern mise en scène of Handel's opera did not stand out for originality, but for finesse and elegance and that was substantially appreciated by the audience.
****1
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Spectacular Strauss from the RTÉ NSO

Two contraltos in one room is a high concentration of contraltos; except that one of them appeared in the role of conductor.
*****
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Sara Mingardo leads a strong cast in Hamburg Ulisse

Willy Decker's production, presented in Zürich in 2014, is revived at the Hamburgische Staatsoper with most of the same cast
****1
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Rare and witty: Vivaldi's Dario in Turin

As always in the librettos of the time, the historical events are just a weak excuse to stage timeless stories of jealousy, struggle for power, sexual desire – the ingredients in today's television series.
****1
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Death be not proud: Stutzmann conducts Strauss and Mozart

Reflections on mortality provided by the French contralto Nathalie Stutzmann conducting the London Philharmonic Orchestra and Choir in two works by Richard Strauss and Mozart.
***11
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