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Performer: Sascha Zauner

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CologneDer RosenkavalierNew production

Magdalena Hinterdobler (Marschallin) and Bianca Andrew (Octavian) © Matthias Jung
Strauss R.: Der Rosenkavalier
Andrés Orozco-Estrada; Marie-Ève Signeyrole; Oper Köln; Fabien Teigné; Yashi; Sascha Zauner; Gürzenich Orchestra

MunichWertherNew production

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Massenet: Werther
Karina Canellakis; Marie-Ève Signeyrole; Bavarian State Opera; Fabien Teigné; Yashi; Sascha Zauner; Bayerisches Staatsorchester

MunichWertherNew production

Listing filler
Massenet: Werther
Karina Canellakis; Marie-Ève Signeyrole; Bavarian State Opera; Fabien Teigné; Yashi; Sascha Zauner; Bayerisches Staatsorchester
Latest reviewsSee more...

In Cologne, a long wait for a lacklustre Rosenkavalier

Magdalena Hinterdobler (Marschallin) and Bianca Andrew (Octavian) © Matthias Jung
Cologne reopens its opera house after a 14-year refurbishment, but their new Rosenkavalier sells the performers and the occasion short.
***11
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Three Peters for the price of one: Lortzing’s Zar und Zimmermann

Zar und Zimmermann at Deutsche Oper Berlin © Thomas Aurin
Martin G Berger’s new production of Zar und Zimmermann eases the Deutsche Oper Berlin into the summer break, with mixed results.
***11
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An ambitious update of Dialogues of the Carmelites in Prague

Jana Sibera (Blanche de la Force) © Petr Neubert

Barbora Horáková’s new staging of Poulenc’s historic tragedy hits hard at the Prague State Opera, but it never quite reaches its goal. 

***11
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Opera Ballet Vlaanderen’s Parsifal: digital drama, celestial singing

Albert Dohmen (Gurnemanz), Christopher Sokolowski (Parsifal) and Dshamilja Kaiser (Kundry) © OBV | Annemie Augustijns
Digital projections make Opera Ballet Vlaanderen’s Parsifal seem alienating and strange, but the singing is terrific and the orchestra sounds sensational.
***11
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Reimann's Lear makes for a dark season finale at Prague State Opera

MIloš Horák (Gloucester) and Tómas Tómasson (Lear) © Petr Neubert
Aribert Reimann's Lear takes no prisoners in a disturbing portrayal of a world gone awry, but Barbora Horáková's scattergun direction adds to the confusion. 
***11
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Grotesque and gripping: Opera Ballet Vlaanderen unveils a new Salome

Thomas Blondelle (Herodes) and Astrid Kessler (Salome) © OBV | Annemie Augustjins
Not a great day for the patriarchy: Ersan Mondtag's gripping new Salome emphasises grotesque caricatures and ends with a bloody, plot-twisting coup d’état. 
****1
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