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BarcelonaOrfeó Català, Cor de Noies & Cor de Cambra del Palau
Adams
John Adams; Orfeó Català; Chamber Chorus of the Palau de la Música Catalana; Cor de Noies del Orfeó Català; Simon Halsey
BirminghamSimon Halsey: 40 Years
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Handel, Weir, Britten, Ešenvalds, Parry, Dove
City of Birmingham Symphony Orchestra; Simon Halsey; Jennifer France; Allan Clayton; CBSO Chorus; CBSO Youth Chorus
BirminghamChoral Christmas with Anna Lapwood
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City of Birmingham Symphony Orchestra; Simon Halsey; Anna Lapwood; CBSO Chorus; CBSO Youth Chorus; CBSO Children's Chorus
BerlinSing-Along Concert of the Rundfunkchor Berlin
Mendelssohn: Elijah
Berlin Radio Symphony Orchestra; Simon Halsey; Rundfunkchor Berlin; Gloria Rehm; Anna Alàs i Jové; Caspar Singh
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LondonVibrant 20th-Century Works with Rattle

Bartók, Szymanowski, Stravinsky, Golijov, Bernstein
London Symphony Orchestra; Sir Simon Rattle; Katia Labèque; Marielle Labèque; Edgaras Montvidas; Christopher Richards
BerlinSimon Rattle conducts Bernstein’s “Wonderful Town” at the 2002 New Year’s Eve Concert

Bernstein, Gershwin
Berliner Philharmoniker; Sir Simon Rattle; Wayne Marshall; Audra McDonald; Kim Criswell; Brent Barrett
BerlinA magical Ravel concert with Simon Rattle

Ravel
Berliner Philharmoniker; Sir Simon Rattle; Magdalena Kožená; Annick Massis; Mojca Erdmann; Sophie Koch
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A stunning Barbican debut by Les Siècles
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Marking their 20th anniversary with a celebratory tour, Les Siècles perform French classics at the Barbican under their twinkle-toed founder, François-Xavier Roth.
Rattle and the LSO in commanding form for Szymanowski and Brahms
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Contemplation and reflection should ideally form a counterpoint to jollity and merry-making in the festive season: an object-lesson from Sir Simon Rattle and his supporting forces.
Pappano takes no prisoners in Dallapiccola and Respighi
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Sir Antonio Pappano and the LSO offer a riveting account of Il prigioniero, an idiosyncratic 20th-century opera.
Slava! The Czech Phil and Bychkov glory in Dvořák and Janáček
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There could be no more appropriate choice than the Glagolitic Mass, with its text of Old Church Slavonic, for a concert which Bychkov had dedicated to the people of Ukraine.
Haydn's Creation and the LSO sing “Happy Birthday” to the Barbican
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It is rare for the LSO to take a literal and metaphorical back seat at one of their own concerts, but they supplied every instrumental need in Haydn's joyous oratorio.
Rattle and the LSO demonstrate unity in diversity
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True to himself, Sir Simon Rattle and the LSO offered a mouth-watering programme of contrasts. The first half pointing clearly to the modern world worked better than the backward glance at a great Romantic symphony.