Performer: Sir John Tomlinson

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates. 

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong. 

Mark-Anthony Turnage's operatic adaptation of Thomas Vinterberg's tale of abuse provides rich entertainment even as it shocks.

One of our greatest operatic basses tells us about his projects during lockdown, including the revelation of hidden non-musical talents...