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Prague Spring closes with a class act
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Conductor Christoph Eschenbach brings style and sophistication to a freewheeling finale to this year's festival, ending with Beethoven's Ninth Symphony.
Mahler’s dark and brutal Das klagende Lied in Sydney
As the Sydney Opera House Concert Hall closes for extensive refurbishment, the Sydney Symphony Orchestra performs early, massive Mahler under Simone Young.
Pathos and wonder: A superb Elijah oratorio in Zurich
Under conductor Thomas Hengelbrock, the Tonhalle Orchester ensemble and 60-voice configuration of the Balthasar Neumann Choir perform the legendary Elijah oratorio at Zurich’s Tonhalle Maag.
Berlin remembers World War 1 with Beethoven's Missa solemnis
Fine orchestral sound and outstanding solo singing from Sarah Connolly and Steve Davislim aren't enough to compensate for poor balance and timing in Beethoven's great choral work.
Theatre for theatre's sake: Giorgio Strehler's Abduction from the Harem in Naples
Giorgio Strehler’s production of Mozart’s Abduction, revived by Mattia Testi in Naples, is smooth and sophisticated.
La clemenza di Tito transfers from Glyndebourne
A strong cast led by Anna Stéphany's Sesto made the most of the last opportunity to hear Glyndebourne's production of Mozart's final opera.
