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Performer: Sylvain Cambreling

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CologneBerlioz, Ives

Berlioz, Ives
Gürzenich Orchestra; Sylvain Cambreling; Antoine Tamestit

HamburgJunge Deutsche Philharmonie / Sylvain Cambreling

Junge Deutsche Philharmonie / Sylvain Cambreling
Grisey: Les espaces acoustiques
Junge Deutsche Philharmonie; Sylvain Cambreling; Ensemble Modern; Megumi Kasakawa

HamburgLa damnation de Faust

La damnation de Faust
Berlioz: La Damnation de Faust
Hamburg Symphony Orchestra; Sylvain Cambreling; Anaïk Morel; Eric Cutler; Michael Volle; David Jerusalem

SeoulThe Song of the Heavens

Mozart, Messiaen
Seoul Philharmonic; Sylvain Cambreling; Roger Muraro

HamburgFestkonzert | Fenstertür: Sir-Jeffrey-Tate-Preis

Hamburg Symphony Orchestra; Sylvain Cambreling
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Cambreling's farewell: a programme of French connections in Tokyo

Sylvain Cambreling © Marco Borggreve
Yomiuri Nippon Symphony Orchestra's Sunday matinee, which was the final concert for its outgoing Principal Conductor Sylvain Cambreling, had many French connections.
****1
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Sylvain Cambreling bids farewell to the YNSO with a great concert

Sylvain Cambreling © Marco Borggreve
A fond farewell to the Yomiuri Nippon Symphony Orchestra from its Principal Conductor for the past nine seasons.
****1
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Sex and violence in the ghetto: Pique Dame

Shigeo Ishino (Yeletsky), Erin Caves (Herman) and Helene Schneiderman © A.T. Schaefer
Oper Stuttgart’s new production of The Queen of Spades (Pique-Dame) pushes a directorial tendency to update opera to a modern setting to an extreme.
***11
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Visceral power in Saunders' still

Carolin Widmann © Marco Borggreve
Although a British composer by birth, Rebecca Saunders is most respected in Germany, where she has spent much of her working life. Her latest project was an immersive choreographed programme with the Junge Deutsche Philharmonie based around her violin concerto still
****1
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The (Surrealist) Tales of Hoffmann

With this mesmerising version of Les contes d'Hoffmann, Marthaler has proved (as Offenbach did more than one century ago) that it is possible to love Romanticism through its satire. 
****1
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