Performer: Tamara Gura

Emilio Sagi’s brightly lit but simplistic staging of Il viaggio a Reims moves the action from northern France to a sunny spa hotel in warmer climes.

Deep in Dorset, Anna Patalong gives a powerful Tatyana, ably supported by a well-taught chorus in an English translation of Tchaikovsky's opera of hearts and friendships broken.

"Intermezzo" has submitted an excellent and comprehensive review of the opening night of this classy new production, but I was so shocked to hear booing from neighbouring seats that perhaps I might be permitted to add this view from a relative opera novice? I've not seen this opera before, or even the Shakespeare play, so although I had nothing to compare it with, I also had nothing to miss in th

Several audience members didn't bother to return after the interval, and there were a few walkouts even before that. It seems Christopher Alden's darkly brilliant new production isn't for everybody. But those of us who stuck it out for the full three hours were rewarded with a reminder that beneath the surface of the Shakespeare-based fairy fable lurk some disquieting truths.

Brigitte Fassbaender kehrt für ihre vierte Produktion an die Oper Frankfurt zurück und inszeniert Brittens Shakespeare-Vertonung im surrealen Zauberwald.

Si le Teatro all’Opera de Rome a souvent fait preuve de conformisme par le passé, l’audace des productions de la saison 2016/2017 lui redonne un nouveau souffle. Après une Maria Stuarda magnifique c’est au tour de Lulu, chef-d’œuvre d’Alban Berg qui n’avait pas été donné à Rome depuis 1968, d’occuper la scène du Teatro dell’Opera.