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Performer: Teatro Regio di Torino

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TurinManon Lescaut

Maria José Siri (Manon Lescaut) and Dalibor Jenis (Lescaut) © Ramella & Giannese | Teatro Regio di Torino
Puccini: Manon Lescaut
Gianandrea Noseda; Vittorio Borrelli; Teatro Regio di Torino; Thierry Flamand; Christian Gasc; María José Siri; Gregory Kunde

TurinLa donna serpente

Casella: La donna serpente
Gianandrea Noseda; Arturo Cirillo; Teatro Regio di Torino; Dario Gessati; Gianluca Falaschi; Erika Grimaldi; Francesca Sassu

TurinBoris Godunov

Mussorgsky: Boris Godunov
Gianandrea Noseda; Andrei Konchalovsky; Teatro Regio di Torino; Graziano Gregori; Carla Teti; Orlin Anastassov; Ian Storey
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The Pearl Fishers: Turin opens its operatic season

Pierre Doyen (Zurga) and Kévin Amiel (Nadir) © Edoardo Piva | Teatro Regio Torino
The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.
**111
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The first modern staged performance of Paër’s Agnese in Turin

Markus Werba and Maria Rey-Joly © Edoardo Piva | Teatro Regio Torino
The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.
***11
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In Turin's Trovatore, the women carry the day

Anna Maria Chiuri (Azucena) © Edoardo Piva | Teatro Regio Torino
Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.
***11
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A strong Italian cast for Così fan tutte in Turin

Lucia Cirillo (Despina), Federica Lombardi (Fiordiligi) and Annalisa Stroppa (Dorabella) © Rammella & Giannese/Piva | Teatro Regio Torino
Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.
****1
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On the female condition: two 20th-century operas in Turin

Anna Caterina Antonacci (Susanna) and Bruno Danjoux (Servant) © Rammella & Giannese/Piva | Teatro Regio Torino
Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.
****1
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I Lombardi alla prima crociata returns to Turin after 93 years

Angela Meade (Giselda, different performance) © Ramella & Giannese | Teatro Regio Torino
The director presents the story clearly enough, but apart from that, there is not much going for this production.
***11
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