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Performer: The Royal Ballet

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LondonThe Sleeping Beauty

Yasmine Naghdi (Princess Aurora) and Matthew Ball (Prince Florimund) © ROH | Bill Cooper
Tchaikovsky: The Sleeping Beauty
Marius Petipa; Sir Frederick Ashton; Anthony Dowell; Christopher Wheeldon; The Royal Ballet; Peter Farmer; Orchestra of the Royal Opera House Covent Garden; Mark Jonathan; Oliver Messel

LondonCoppélia

Delibes: Coppélia
Lev Ivanov; Ninette de Valois; The Royal Ballet; Osbert Lancaster; John B. Read; Orchestra of the Royal Opera House Covent Garden

LondonConcerto / Enigma Variations / Raymonda Act III

Concerto: Reece Clarke and Lauren Cuthbertson © ROH | Tristram Kenton
Shostakovich, Elgar, Glazunov
Sir Kenneth MacMillan; Sir Frederick Ashton; Rudolf Nureyev; The Royal Ballet; Jürgen Rose; Julia Trevelyan Oman; John B. Read; Kate Shipway

LondonOnegin

Tchaikovsky: Onegin
John Cranko; The Royal Ballet; Jürgen Rose; Steen Bjarke; Orchestra of the Royal Opera House Covent Garden

LondonThe Cellist / Dances at a GatheringNew production

Feeney, Chopin
Cathy Marston; Jerome Robbins; The Royal Ballet; Andrea Molino; Hildegard Bechtler; Bregje van Balen; Orchestra of the Royal Opera House Covent Garden
Latest reviewsSee more...

A lustrous Sleeping Beauty at The Royal Ballet

Yasmine Naghdi (Princess Aurora) and Matthew Ball (Prince Florimund) © ROH | Bill Cooper
On the evidence of this performance, there is every reason to be cheerful.
*****
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A triple bill of mixed delights at The Royal Ballet

Concerto: Reece Clarke and Lauren Cuthbertson © ROH | Tristram Kenton
The first mixed programme of the new season is led by a stellar cast.
****1
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The Royal Ballet keeps the Cunningham flame aglow

Francesca Hayward, Matthew Ball and Mayara Magri in Cross Currents © ROH | Bill Cooper
A brief but innovative tribute to the lasting influence of Merce Cunningham in the Linbury Theatre
****1
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MacMillan’s Manon remains as irresistible as ever

Sarah Lamb (Manon) and Vadim Muntagirov (des Grieux) © ROH | Alice Pennefather (2014)
The Royal Ballet season opens with a MacMillan favourite, his ballet adaptation of a novel more familiar for its operatic treatment. 
****1
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“The spirit of Margot” celebrated in The Royal Ballet's Fonteyn gala

Dame Darcey Bussell and Gary Avis in Ashton's Tango from Façade © ROH | Andrej Uspenski
A memorable and important event in the history of British ballet, sensitively and sentimentally performed. 
****1
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