Performer: Thomas Blondelle

Herheim’s Fledermaus is a risky experiment that, miraculously, works — at least in a city that knows it so intimately.

The limitations of AI are demonstrated in Alvis Hermanis’ problematic new production of Salome at Latvian National Opera. 

At the Bregenz Festival, director Philpp Stölzl gives us a radical updating of the classic, with an interpretation many miles away from Weber.