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Performer: Urs Schönebaum

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ParisLe Trouvère

© Charles Duprat | OnP
Verdi: Il trovatore
Timur Zangiev; Àlex Ollé; Opéra national de Paris; Alfons Flores; Lluc Castells; Urs Schönebaum; Orchestre de l'Opéra national de Paris

MunichDoctor AtomicNew production

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Adams: Doctor Atomic
Gemma New; Claus Guth; Bavarian State Opera; Michael Levine; Ursula Kudrna; Urs Schönebaum; Bayerisches Staatsorchester

MadridBusto - Bodas de sangreWorld premiere

© Manuel Alcorlo
Busto: Bodas de sangre
Manuel Busto; Bárbara Lluch; Teatro Real; Urs Schönebaum; Clara Peluffo Valentini; Orquesta Titular del Teatro Real

MunichParsifal

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Wagner: Parsifal
Pablo Heras-Casado; Pierre Audi; Bavarian State Opera; Georg Baselitz; Florence von Gerkan; Urs Schönebaum; Bayerisches Staatsorchester

SevilleBodas de sangreNew production

Teatro de la Maestranza y Salas del Arenal, S.A.
Busto: Bodas de sangre
Lucas Macías Navarro; Bárbara Lluch; Teatro de la Maestranza; Urs Schönebaum; Clara Peluffo Valentini; Real Orquesta Sinfónica de Sevilla

BarcelonaJenůfa

© No credit
Janáček: Jenůfa
Jonathan Nott; Àlex Ollé; Gran Teatre del Liceu; Alfons Flores; Lluc Castells; Urs Schönebaum; Orquesta Sinfónica del Gran Teatre del Liceu
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L’Orfeo, the world’s first great opera, premieres at Glyndebourne

Krystian Adam (Orfeo) and ensemble © Glyndebourne Productions Ltd | Photo: Richard Hubert Smith
One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio, 
****1
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Deborah Warner attains her theatrical dream at the Teatro Real

Iestyn Davies (Oberon) y  Liv Redpath (Tytania) © Javier del Real | Teatro Real
Warner once again displays her unquestionable talent onstage and her affinity with Benjamin Britten, although, on this occasion, the musical aspect are not equally satisfactory.
***11
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The starry trio of Davidsen-Hilley-Mälkki saves Tristan und Isolde

Lise Davidsen (Isolde) © Sergi Panizo | Gran Teatre del Liceu

A highly unbalanced premiere, its opportunity to become one of the Liceu's historic productions prevented by the contrast between dramaturgy and music.

****1
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Bal Impérial & Boléro: multi-layered work challenges in Geneva

Le Ballet du Grand Théâtre de Genève in Boléro © Gregory Batardon
The premiere of Bal Impérial by Sidi Larbi Cherkaoui challenges and interrogates to great effect in Geneva. 
****1
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Pelléas et Mélisande as a dark, shining fairy tale in Geneva

Mari Eriksmoen (Mélisande) and Björn Bürger (Pelléas) © GTG | Magali Dougados
A maximalist production of Pelléas et Mélisande at Geneva's Grand Théâtre shines, but tries a little too hard. 
****1
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COC triumphs with Kentridge’s brilliantly conceived Wozzeck

Ambur Braid (Marie) © Michael Cooper
William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing. 
*****
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ParisIl trovatore

© Charles Duprat | OnP
Verdi: Il trovatore
Daniele Callegari; Àlex Ollé; Opéra national de Paris; Alfons Flores; Lluc Castells; Urs Schönebaum; Orchestre de l'Opéra national de Paris