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Performer: Wade Kernot

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Fine singing but messy staging: Le Comte Ory at New Zealand Opera

Emma Pearson (Adele) © Andi Crown
Director Simon Phillips takes the opportunity to reshape the setting of Rossini's comic opera to modern-day New Zealand. 
***11
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Unearthing New Zealand's lost art-song tradition

In this part-concert and part-lecture, Michael Vinten chronicles the history or New Zealand art song through the lives of the composers and poets featured, stories alternately hilarious and tragic.
****1
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Pinchgut takes on Il ritorno d'Ulisse in patria

Monteverdi’s Il ritorno d’Ulisse in patria is given the Pinchgut treatment, with an abstract staging complementing historically informed music-making under Erin Helyard.

****1
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An exciting open air Carmen in Adelaide

Performing Carmen in the open works well. This open-air Adelaide event combined wonderful music and delightful singing, making for an impressive evening.

****1
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Ridding Carmen of cliches in Auckland

A superlative performance of Carmen that was certainly among the most thrilling performances New Zealand Opera has put on in recent memory.
*****
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A colonial Pearl Fishers in Perth

Bizet's The Pearl Fishers has its problems, but a good account of its score does have its pleasures, especially when it's all brightened up by the presence of Emma Matthews.
***11
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