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Artiste: Wade Kernot

Critiques récentesEn voir plus...

Fine singing but messy staging: Le Comte Ory at New Zealand Opera

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Director Simon Phillips takes the opportunity to reshape the setting of Rossini's comic opera to modern-day New Zealand. 

Unearthing New Zealand's lost art-song tradition

In this part-concert and part-lecture, Michael Vinten chronicles the history or New Zealand art song through the lives of the composers and poets featured, stories alternately hilarious and tragic.

Pinchgut takes on Il ritorno d'Ulisse in patria

Monteverdi’s Il ritorno d’Ulisse in patria is given the Pinchgut treatment, with an abstract staging complementing historically informed music-making under Erin Helyard.