Latest reviewsSee more...
Pizzi’s elegant, black and white Barbiere convinces again in Pesaro
Rossini’s most famous masterpiece returns to Pesaro in Pier Luigi Pizzi’s beloved production, with a solid cast.
Méphistophélès returns to the stage in Gounod’s Faust at La Fenice!
The Teatro La Fenice reprises Joan Anton Rechi’s production in its full stage version, less inspiring than the one expanded through the whole theatre during Covid times.
La Fenice transformed into a cathedral for Gounod's Faust
The real sensation of the evening was Alex Esposito – this time, Gounod's Faust should have been titled Méphistophélès...
Pier Luigi Pizzi’s Barbiere triumphs in Pesaro
The Rossini Opera Festival stages a new production of the most famous of Rossini’s masterpieces to celebrate the composer in the 150th anniversary of his death.
La Fenice's superb new Widow is always Merry, even without sequins and ostrich feathers
Damiano Michieletto's new production in Venice sets the operetta in the 1950s.
A frivolous La pietra del paragone in Pesaro
The young tenor Maxim Mironov, who played the poet Giocondo, was the name on everyone's lips by the end of the show. His voice is a modestly-sized and soft-grained, but it is beautifully produced, and focuses to a laser-like point up top.