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MunichMadama Butterfly

Puccini: Madama Butterfly
Andrea Battistoni; Wolf Busse; Bavarian State Opera; Otto Stich; Silvia Strahammer; Bayerisches Staatsorchester; Bayerischer Staatsopernchor
Santa FeMadama Butterfly

Puccini: Madama Butterfly
John Fiore; Lee Blakeley; Santa Fe Opera; Jean-Marc Puissant; Brigitte Reiffenstuel; Rick Fisher; Santa Fe Opera Orchestra
RomeThe Rake’s ProgressNew production

Stravinsky: The Rake’s Progress
Michele Mariotti; Rafael R. Villalobos; Teatro dell'Opera di Roma; Pablo Chaves Maza; Felipe Ramos; Orchestra del Teatro dell'Opera di Roma; Coro del Teatro dell'Opera di Roma
OsloDas RheingoldNew production

Wagner: Das Rheingold
Edward Gardner; Tatjana Gürbaca; Norwegian National Opera; Henrik Ahr; Barbara Drosihn; Stefan Bolliger; Norwegian National Opera Orchestra
AmsterdamRed FoxWorld premiere

Du Yun: Red Fox
Pierre Bleuse; Barrie Kosky; Dutch National Opera; Klaus Grünberg; Thibaut Welchlin; Tieni Burkhalter
RomeLady Macbeth of the Mtsensk District

Shostakovich: Lady Macbeth of the Mtsensk District
Juraj Valčuha; Barrie Kosky; Teatro dell'Opera di Roma; Rufus Didwiszus; Victoria Behr; Olaf Freese; Orchestra del Teatro dell'Opera di Roma
Latest reviewsSee more...
A less familiar Madama Butterfly presented at Santa Fe Opera

Conductor John Fiore’s own performing version restores music and dramatic detail absent from the standard Madama Butterfly, with Karen Chia-Ling Ho a commanding Cio-Cio-San.
Olga Kulchynska anchors a dream-haunted Eugene Onegin in Santa Fe

Olga Kulchynska’s compelling Tatyana leads a strong cast in Santa Fe Opera’s Eugene Onegin, as Alessandro Talevi lets forests, dreams and folkloric imagery seep into its 19th-century world.
Jones’ wicked Hänsel und Gretel returns to the Bayerische Staatsoper

Even without a gingerbread house, there’s enough wickedness in Richard Jones’ staging of Humperdinck’s opera for sweet tooths to savour.
A very human drama: Madama Butterfly at The Royal Opera

With the help of excellent singing and acting performances from a cast led by Asmik Grigorian and Joshua Guerrero, Puccini’s tale of abandonment hits home.
A pointed Vixen debut for Stefan Herheim at MusikTheater an der Wien

Herheim’s maiden voyage in his new capacity as Intendant confirms his ability to deftly negotiate a less-than-straightforward work with care and ambition and add his own voice enthusiastically to the mix.
New Meistersinger succeeds musically despite the muddled production
Set in a 1930s music school, Sergio Morabito, Jossi Wieler and Anna Viebrick's new production of Die Meistersinger von Nürnberg at Deutsche Oper Berlin has some inspirational ideas but they often get in the way of the music.
