Ella Milch-Sheriff’s Alma emerges as a dark triumph at the Volksoper Wien

A dizzying premise from Martina Eisenreich and Axel Ranisch, loosely drawing on Johann Strauss II’s unfinished ballet Aschenbrödel, which tries to be everything, all at once. 

Omer Meir Wellber’s Mozart-Ullmann mash-up sounds like a terrible idea, but absolutely hits the mark. 

When is The Nutcracker not The Nutcracker? When's it's mashed together with Tchaikovsky's Iolanta to represent the blind princess’ inner world in a dark interpretation. 

Lotte de Beer’s new retelling at the Volksoper reintroduces the element of shock into Bizet's popular opera. 

Kurt Weill's musical, with its focus on psychoanalysis, makes its Austrian premiere in the city of Sigmund Freud. 

Movement was so effectively utilised in this production, with elements of ballet, modern and Scottish folk melded in true Agnes de Mille fashion.