Marina Rebeka stars as a regal Anna Bolena at Dutch National Opera

By Nicolas Nguyen, 13 May 2022

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“his hands moving as precisely as those of a surgeon, as if delicately dissecting the score”

Reviewed at Dutch National Opera and Ballet, Amsterdam on 12 May 2022

Donizetti, Anna Bolena

Dutch National Opera

Enrique Mazzola, Conductor

Jetske Mijnssen, Director

Ben Baur, Set Designer

Klaus Bruns, Costume Designer

Franck Evin, Lighting Designer

Netherlands Chamber Orchestra

Chorus of Dutch National Opera

Marina Rebeka, Anna Bolena

Raffaella Lupinacci, Giovanna

Adrian Sâmpetrean, Enrico

Ismael Jordi, Riccardo Percy

Cecilia Molinari, Smeton

Frederik Bergman, Lord Rochfort

Ian Castro, Hervey

The Dutch National Ballet’s Hans van Manen in Carré

Mark Vicente, 30th April

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.

*****

Weinberg’s The Passenger at Dutch National Opera

Clare Varney, 17th April

Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix.

****1

Dutch National Ballet's reimagined La Bayadère triumphs

Mark Vicente, 26th March

Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.

****1

Michel van der Aa’s Theory of Flames: defining opera for a modern age

Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

****1

Dutch National Ballet brings much needed heat to this winter season

Mark Vicente, 10th February

The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.

****1

Semele at Dutch National Opera: myth, desire and fantasy

Mengguang Huang, 23rd January

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

****1

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Nicolas Nguyen

Nicolas is a French Amsterdammer, e-commerce professional and a bit of an opera buff. His experience in the area of music is that of a dilettante. His passion for the opera and vocal music comes from his love for both music and languages which are so perfectly combined in these art forms.