Matthew Aucoin’s Song of the Reappeared premieres in Chicago

Julia Bullock

Petr Popelka and the Chicago Symphony Orchestra

By Graham Meyer, 05 December 2025

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“Aucoin gives the listener no time to get comfortable”

Reviewed at Chicago Symphony Center, Chicago on 4 December 2025

Brahms, Symphony no. 3 in F major, Op.90

Aucoin, Song of the Reappeared (World premiere)

Strauss R., Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), Op.28

Chicago Symphony Orchestra

Petr Popelka, Conductor

Julia Bullock, Soprano

Edward Gardner: quietly impressive in Chicago

Graham Meyer, 7th May

Peter Lieberson's Neruda Songs with the mezzo-soprano Joyce DiDonato teem with subtle brilliances.

*****

Chicago Symphony Orchestra music on death: whimper then bang

Graham Meyer, 9th April

Jakub Hrůša leads the CSO in pedestrian Janáček and Rachmaninov, but Strauss's Four Last Songs and Wagner's Tristan excerpts send audiences home deeply touched.

***11

Klaus Mäkelä is speaking... Chicago is listening

Graham Meyer, 19th February

The Chicago Symphony Orchestra's Music Director Designate juxtaposes his Finnish countryman's music on their shared national epic, the Kalevala, with the heroic life limned in the tone poem of Richard Strauss.

****1

Manfred Honeck brings his über-dramatic Mozart Requiem to Chicago

Graham Meyer, 20th November

The Austrian conductor's loudest fortes and softest pianos pull together a dramatic arc from the Requiem, other Mozart works and chant. But it's not really a funeral.

****1

Daniela Candillari makes her Chicago Symphony Orchestra debut

Graham Meyer, 3rd October

Without a baton, the contemporary-music specialist showcases the Chicago Symphony strings in an intimate program ranging from music of the last decade all the way back to Pergolesi.

****1

Polished Ravel x 2 from Alice Sara Ott with the Chicago Symphony

Graham Meyer, 25th September

Three hands for two concertos: Alice Sara Ott joins the Chicago Symphony Orchestra for Ravel's Piano Concerto for the left hand and the Piano Concerto in G major.

****1

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Graham Meyer

Graham is a Chicago-based arts and culture journalist, covering all forms of live performance, and specializing in classical music. His work has appeared extensively in Chicago magazine and Crain’s Chicago Business, as well as in The Chicago Tribune and at Chicago Classical Review. He has also covered dining and restaurants, winning a City and Regional Magazine Award for the restaurant newsletter Dish. Semi-professionally, he sings baritone in the choir Vox Venti, plays amateur piano, and composes music, especially choral. Apart from music, he constructs crossword puzzles and plays competitive bridge with his teenage daughter.

Matthew Aucoin’s Song of the Reappeared: high intensity from Chicago Symphony Orchestra