La bohème may not seem the obvious choice for a very small theatre, but HGO carry it off with aplomb, with the help of Rodolfo sung by a star in the making.
A musically sensitive account of Monteverdi’s Poppea, with simple staging and 1950s costumes, sees singing triumph noticeably over the relative theatrical inexperience of HGO’s talented young cast.
Acclaimed violinist and 2024 MacArthur Fellow Johnny Gandelsman invited four choreographers to join him on a marathon through Bach's six cello suites. His musicianship was the highlight of the evening.
Anthony Tudor and Merce Cunningham provided the lighter fare in a mixed bill that featured two world premieres from Kevin Iega Jeff, a veteran of the Chicago dance scene, and Julian Donahue, a newer voice.
In a tremendous triple bill at New York City Center, Martha Graham’s genius and Janet Elber’s stewardship of the company into the 21st century deserve to be celebrated, loudly.
Emily is a freelance dancer based in Brighton. She performed with Mapdance Company 2012, and has recently created and performed solo work. As a dancer and musician, Emily enjoys innovative work that combines the two art forms. She is a keen dance writer, her blog can be found here.
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