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Polished and revelatory: Chailly opens the season with the Filarmonica della Scala

By James Imam, 09 November 2017
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“The Filarmonica is the Manchester City of the orchestral world”
Reviewed at Teatro alla Scala, Milan on 6 November 2017
Programme
Tchaikovsky, Symphony no. 2 in C minor "Little Russian", Op.17
Stravinsky, Chant funèbre, Op.5
Stravinsky, Petrushka
Performers
Filarmonica della Scala
Riccardo Chailly, Conductor
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Mark Pullinger, 24th February
Tchaikovsky's Serenade for Strings and Rachmaninov's Second Symphony are given urgent, ardent readings by the Filarmonica della Scala. 
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A high-energy season opener at Dvořák’s Prague
Frank Kuznik, 7th September
Andrés Orozco-Estrada and the Filarmonica della Scalla boldly go into the Romantic repertoire, with mixed results.
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Grafenegg Festival ends with bittersweet Strauss from Renée Fleming
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The soprano is lifted to lyrical heights by the Filarmonia della Scala and Andrés Orozco-Estrada at the open air Wolkenturm on the final night of the festival. 
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Magnificent Beethoven tribute from Chailly in Antwerp
Marc Haegeman, 23rd January
"Beethoven 250" starts in grand form with thrilling performances of Egmont and Symphonies 5 and 8 in Antwerp.
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Lightweight Beethoven from Chailly and the Filarmonica della Scala
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This lightweight, combustive account lacked bluster, sourcing tension from its forward momentum.
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Gardner and Levit invigorate the Filarmonica della Scala
James Imam, 11th March
Edward Gardner clearly has a thing for the Czechs. A month after he made his Royal Opera main-stage debut with Janáček's Katya Kabanova, here he was with the Filarmonica della Scala to conduct a strongly Czech programme.
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More reviews...
Read reviews of
Chant funèbre, Op.5Filarmonica della ScalaIgor StravinskyPetrushkaPyotr Ilyich TchaikovskyRiccardo ChaillySymphony no. 2 in C minor "Little Russian", Op.17
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James Imam
James Imam
James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.