In a tremendous triple bill at New York City Center, Martha Graham’s genius and Janet Elber’s stewardship of the company into the 21st century deserve to be celebrated, loudly.
Flora unites the Australian Ballet with Bangarra Dance Theatre in a glorious collaboration that traces loss, renewal, resilience, cultural continuity and enduring vitality of the body.
At Holland Dance Festival, La compagnie Hervé Koubi were put through their paces, showcasing a dizzying display of acrobatic abilities that would rival any act in a Cirque de Soleil show.
Catherine has recently moved to Beijing, where she writes, studies Chinese, and teaches English at a university. She has an avid interest in East and Southeast Asian performing arts and has also lived in Seoul, South Korea, and speaks Korean. Catherine is a graduate of Royal Holloway, University of London, worked as dance editor for Bachtrack for 6 months. You can read more on Catherine's Wordpress blog Catherine and the Lion
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