Engaging and fluent performances from Elder’s Hallé

By Aaron Davies, 06 October 2017

Loading, please wait...

See full listing

“a performance with real energy and forward propulsion”

Reviewed at The Bridgewater Hall, Manchester on 5 October 2017

Debussy, Prélude à l'après-midi d'un faune

Rachmaninov, Rhapsody on a Theme of Paganini in A minor for piano and orchestra, Op.43

Liszt, Wedding March, transcription from Mendelssohn, S 410, R 219 [Liszt]

Stravinsky, The Firebird: Suite (1910 version)

The Hallé

Sir Mark Elder, Conductor

Alexander Gavrylyuk, Piano

Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

*****

Nico Muhly’s vision of the end of the world comes to Sheffield

Phil Parker, 15th March

Doom – both personal and cosmic – and its aftermath are the focus of Alpesh Chauhan’s Hallé concert at Sheffield’s City Hall.

****1

Avant-garde echoes meet minimalist soundscapes in Hallé concert

Pwyll ap Sion, 26th February

Jonny Greenwood’s genre-defying music is given a powerful performance by violinist Daniel Pioro and members of The Hallé Orchestra under Hugh Tieppo-Brunt.

****1

Celestial journeys with Kahchun Wong and the Hallé

Rohan Shotton, 19th February

Kahchun Wong returns to The Hallé for Holst and Unsuk Chin, with a postscript from Colin Matthews

***11

The Hallé brings Salonen, Grieg and Sibelius to Sheffield

Phil Parker, 23rd January

Dazzling young German pianist Julius Asal and stand-in conductor Duncan Ward breathe new life into the familiar in repertoire by Grieg and Sibelius.

****1

Jeannette Sorrell and the Hallé find drama in Handel’s Messiah

Leighton Jones, 6th December

Jeanette Sorrell brings a Messiah to Manchester that adds a sense of drama, bridging the gap between oratorio and opera.

****1

More reviews...

Aaron Davies

A lifelong aficionado of classical music in all its various guises, Aaron spent his formative years studying musical composition whilst playing a number of instruments. Today, his day job involves running an international technology business. He derives particular pleasure from expanding his “virtual” music library via the use of online streaming services. If pressed to compile a desert island disc, he would most likely select works from the catalogues of Beethoven, Schumann, Rachmaninov and Gershwin.