Elim Chan takes the New York Philharmonic to the ball

Elim Chan conducts the New York Philharmonic

Carter Brey, Elim Chan and the New York Philharmonic

By Susan Stempleski, 30 May 2026

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“Chan demonstrated absolute mastery of Prokofiev’s brilliantly melodious score”

Reviewed at Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City on 27 May 2026

Saint-Saëns, Cello Concerto no. 1 in A minor, Op.33

Koide, Swaddling Silk and Gossamer Rain (NY premiere)

Meeropol, Strange fruit

Prokofiev, Cinderella Suite

Carter Brey, Cello

New York Philharmonic

Elim Chan, Conductor

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

From raindrops to royalty: Elim Chan takes the New York Philharmonic to the ball