A wretched road trip at Deutsche Oper

By Karen Hunter, 19 June 2016

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Reviewed at Deutsche Oper, Berlin on 17 June 2016

Mozart, Die Entführung aus dem Serail (The Abduction from the Harem)

Deutsche Oper Berlin

Sir Donald Runnicles, Conductor

Rodrigo Garcia, Director

Annabelle Mandeng, Bassa Selim

Matthew Newlin, Belmonte

Kathryn Lewek, Konstanze

James Kryshak, Pedrillo

Siobhan Stagg, Blonde

Tobias Kehrer, Osmin

Chor der Deutschen Oper Berlin

Orchester der Deutschen Oper Berlin

L’italiana in Algeri in the wrestling ring at Deutsche Oper Berlin

Zenaida des Aubris, 8th March

A classic opera buffa gets an update by Rolando Villazón to a produce a staging that celebrates the timeless vitality of Rossini’s comic imagination.

****1

Between ecstasy and abyss: Korngold’s Violanta at the Deutsche Oper

Zenaida des Aubris, 25th January

David Hermann directs a new production of Korngold’s teenage opera, conducted by Sir Donald Runnicles, at the Deutsche Oper Berlin.

****1

Giordano's Fedora at the Deutsche Oper Berlin

Elena Luporini, 27th November

A new production of Fedora at the Deutsche Oper Berlin warms up the cold German winter, featuring strong lead performances by Vida Miknevičiūtė and Jonathan Tetelman.

***11

Thalheimer’s directs a static new Berlin Tristan und Isolde

Zenaida des Aubris, 1st November

At the start of his farewell to Deutsche Oper Berlin, Sir Donald Runnicles shines with his orchestra, supplying the passion and tension withheld in Michael Thalheimer’s production.

****1

Anatomy of a love: Rebecca Saunders’ Lash at Deutsche Oper Berlin

Elena Luporini, 20th June

Nearing the close of the season, Deutsche Oper Berlin premieres Rebecca Saunders’ first opera Lash – Acts of Love, a visceral reflection on love and death.

*****

Upstairs, downstairs: Die Frau ohne Schatten at Deutsche Oper

Zenaida des Aubris, 26th January

Tobias Kratzer gives his third Strauss production in three seasons at Deutsche Oper Berlin another contemporary spin.

****1

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Karen Hunter

Karen Hunter graduated from the North Carolina School of the Arts and the St Louis Conservatory of Music, having trained as an oboist. In 1996 she traded a spot on the stage for a place in the audience with her permanent move to Berlin, Germany. Here she finds no shortage of great concerts to attend.

A wretched road trip: Rodrigo Garcia's The Abduction from the Seraglio at Deutsche Oper