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Six talented finalists light up the final of the prestigious Norwegian singing competition

Three concertos and a symphony made for an unusual but generous programme, but Les Siècles illustrate that versatility can come with mixed blessings. 

The world premiere of Iraqi-American composer Amir ElSaffar's ambitious Dhikra (Remembrance) very nearly succeeds in its ambitions. 

Entertainment ideal for country house opera-goers, enhanced by some fine singing and excellent playing from the Bournemouth Symphony Orchestra.

With a stellar cast and fine orchestral playing, Mozart’s enigmatic fairy tale takes on a darker, more grown-up tone in its first new Metropolitan Opera staging in 19 years.

The Maggio postpones Pountney’s expected new production of Don Giovanni, presenting Ferrara’s production from Spoleto instead, with a good cast in the hands of Zubin Mehta.

WNO delivers a well-performed production of Mozart’s Magic Flute with some fresh ideas, but other which dilute it. 

Mozart and 1784 is the basis for this latest OAE venture, an engaging programme that highlights the flawless technique of 18th-century keyboard specialist Kristian Bezuidenhout.

The Marmen Quartet returns to Sheffield, the site of some of the quartet’s formative experiences, in this sometimes uneven concert of Mozart, Janáček and Beethoven.