José Lezcano's Concierto Hispanoamericano premieres in Buffalo

Daniel Pendley, Brett Shurtliffe, Madeline Olson and the Buffalo Philharmonic Orchestra

By Phillip Nones, 05 May 2023

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“super-accessible, yet doesn’t veer into imitation or cliché”

Reviewed at Kleinhans Music Hall, Buffalo on 5 May 2023

Ginastera, Estancia

Lezcano, Concierto Hispanoamericano (world premiere)

Brahms, Symphony no. 4 in E minor, Op.98

Daniel Pendley, Double Bass

Brett Shurtliffe, Double Bass

Madeline Olson, Harp

Buffalo Philharmonic Orchestra

JoAnn Falletta, Conductor

Resplendent interpretations by Yang and Falletta with the Buffalo Phil

Phillip Nones, 13th October

JoAnn Falletta demonstrates her customary excellence in colorful orchestral works by Ibert and Respighi, while Joyce Yang hits the mark in capturing the jazz-classical fusion in Gershwin’s Piano Concerto.

****1

JoAnn Falletta and the Chooi brothers present varied Buffalo program

Phillip Nones, 4th May

A grab-bag of musical goodies from Bach to the present day showcases the virtuosity of the Buffalo Philharmonic and the Chooi brothers.

****1

Insightful Elgar from Polo, Falletta and the Buffalo Philharmonic

Phillip Nones, 12th November

JoAnn Falletta and the Buffalo Philharmonic showcase the rich diversity of four compelling 20th century works composed just 15 years apart, including Elgar's Cello Concerto, played by Asier Polo.

****1

Malofeev's Prokofiev thrills with the Buffalo Philharmonic

Phillip Nones, 4th March

In a welcome reminder of what Russia can be at its best, Alexander Malofeev, JoAnn Falletta and the Buffalo Philharmonic present memorable scores by Prokofiev and Scriabin.

****1

Buffalo Philharmonic Orchestra plays Tchaikovsky, Enescu and Hailstork

Phillip Nones, 18th February

A well-known rhapsody and symphony bracket Adolphus Hailstork's 1992 Piano Concerto in an all-around convincing performance featuring exciting soloist Stewart Goodyear.

****1

A battery of percussion to close the Buffalo digital season

Graham Watts, 25th May

Outstanding interpretations of two important 20th-century works based upon pre-existing compositions.

****1

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Phillip Nones

Phillip Nones studied piano from age six, also playing percussion in educational and civic groups before moving to a rural area of the USA in 1990, where performance opportunities were few. Recently he has started performing again, participating in “side-by-side” orchestra performances and playing percussion in the World Doctors' Orchestra. His personal collection of music includes over 5,000 classical albums in all formats (CDs, LPs, 78s), plus downloads. In his professional life, he heads up a marketing communications firm in the state of Maryland. He blogs about the French composer Florent Schmitt here.

Basses at the double: José Lezcano's Concierto Hispanoamericano premieres in Buffalo