In the bleak midsummer: Kátya Kabanová at Glyndebourne

By David Karlin, 21 May 2021

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“a half-world between Kátya’s dreams and the ghastly reality of the Kabanov household”

Reviewed at Glyndebourne Opera House, Glyndebourne on 20 May 2021

Janáček, Kátya Kabanová

Glyndebourne Festival Opera

Robin Ticciati, Conductor

Damiano Michieletto, Director

Paolo Fantin, Set Designer

Carla Teti, Costume Designer

Alessandro Carletti, Lighting Designer

Kateřina Kněžíková, Kátya

David Butt Philip, Boris

Katarina Dalayman, Kabanicha

Nicky Spence, Tichon

Alexander Vassiliev, Dikój

Thomas Atkins, Kudrjaš

Aigul Akhmetshina, Varvara

The Glyndebourne Chorus

London Philharmonic Orchestra

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

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David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

In the bleak midsummer: Damiano Michieletto's Kátya Kabanová at Glyndebourne