If the orchestra's playing was marked by poise and balance, so was the programme taken in its entirety. The buoyancy that had prevailed to now brought out the darker hues of Schubert's “Unfinished” Symphony deliciously.
La Verdi dispatched each of the works with panaché under audience favourite Oleg Caetani. There is plenty of swagger to their playing at present – a Gallic cock with plenty of feathers in its tail.
La Verdi possessed the necessary bloom to portray Scriabin's rich colour scheme under former LSO Assistant Marius Stravinsky. At times, they were irresistible.
This was raw Mahler at its most all-embracing. The musicians seemed to embrace the entire world. As an audience member made to leave the hall, Axelrod leant over the balustrade to shake his hand.
Oliver Brett is a professional organist, pianist, teacher and choral conductor. He held positions at King's College Cambridge, Westminster Cathedral and Durham Cathedral, and is currently Assistant Director of Music at St Mary's RC Cathedral in Sydney, Australia. He loves classical music of all genres.
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