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The many facets of Renée Fleming in recital at the Concertgebouw

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“Puts fully exploits Fleming’s elastic upper voice and she was in her element”
Reviewed at Concertgebouw: Main Hall, Amsterdam on 7 February 2019
Schubert, An Silvia (Shakespeare), D.891
Schubert, Im Abendrot (Lappe), D.799
Schubert, Die Forelle (Schubart), D.550
Brahms, Die Mainacht (The May Night), Op.43 no.2
Brahms, Da unten im Tale
Brahms, Meine liebe ist grün (My love’s as green), Op.63 no.5
Brahms, Wiegenlied (Lullaby), Op.49 no.4
Puts, Letters from Georgia
Villa-Lobos, Bachianas Brasileiras: no. 5 for voice and 8 cellos (Ária (Cantilena))
Flotow, Martha: Letzte Rose
Dvořák, Rusalka: Song to the moon (Mesicku na nebi hlubokem)
Refice, Ombra di nube
Leoncavallo, La bohème: Musette svaria sulla bocca viva
Puccini, Turandot: Signore, ascolta
Tosti, La Serenata
Lehár, Friederike: Warum hast du mich wachgeküßt (Why did you kiss my heart awake)
Kander, The Visit: Love and Love Alone
Kander, The Visit: Winter
Yeston, Nine: Unusual Way
Lehár, Schön ist die Welt: Ich bin verliebt
Gershwin, Porgy and Bess: Summertime
Puccini, Gianni Schicchi: O mio babbino caro
Renée Fleming, Soprano
Hartmut Höll, Piano
Renée Fleming brings star power to Edinburgh
****1
Andris Nelsons and the BSO arrive in New York, with baggage in tow
***11
Pomp meets ping-pong: Nixon in China lands again in Paris
***11
Climate change and classic arias: Renée Fleming in Saratoga Springs
***11
Scenes from a marriage: The Brightness of Light at the NY Phil
***11
Renée Fleming sings Strauss favorites with Guggeis and the LPO
****1
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