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The Russian soprano revived her Day and Night programme for The Met Stars Live in Concert series with a recital from the Spanish Riding School in Vienna.

The Atlanta Opera presents a superior live production of Leoncavallo's Pagliacci to a masked, socially distanced audience.

Leoncavallo's opera is a rare example of a tragic, verismo opera where not a soul dies... neither by natural causes nor foul play.  

David Lefkowich takes Pagliacci into the big top for a contemporary treatment at the the Steriti Rink.

Exceptional singing, an auspicious conducting debut and a staging that is both sophisticated and emotionally involving make this production an unequivocal winner.

In a highly versatile recital, soprano Renée Fleming was at her best in unaffected songs and operetta.

Some rousing singing from the RTÉ Philharmonic Choir of the famous choruses from the great operas. 

Netrebko put together a potpourri showcasting her immense vocal gifts as well as her versatility.

Tenor-turned-director José Cura transplants the action from southern Italy to Buenos Aires. 

Scottish Opera brings opera to the people on a huge scale in a promenade production of Pagliacci.  

Pippo Delbono, an advocate of experimental theatre, tests the audience's patience at Opera di Roma, masking some enjoyable musical performances.

David McVicar's uninspiring Cavalleria rusticana remains problematic, but a strong Pagliacci leaves the New York audience gasping. 

After its Christmas break, Cavalleria rusticana and Pagliacci return to the Royal Opera in Daminano Michieletto's arresting production. 

Even stronger than first time round, Michieletto's impressive staging is complemented by an outstanding double role debut from Hymel and a heartbreaking Santuzza from Elīna Garanča.

Charles Edwards and Annabel Arden direct Leoncavallo's Pagliacci and Ravel's L'Enfant et les sortilèges in a contrasting pairing of two short operas in Opera North's 'Little Greats' season.

A convincing outing for Leoncavallo's rarely performed tale of adultery, populated by characters who are flesh and blood and are immediately recognisable today.

A thrilling finale to the 2017 Cardiff Singer of the World

This was less a concert of two halves than one of two tenors: able to dramatise the music of Puccini and Verdi far more effectively than his earlier Mozart, Flórez came alive.

A remarkable performance for State Opera of South Australia from Rosario La Spina as Turiddu in Cavalleria rusticana and Canio in Pagliacci was evidence of the brilliant tenor he has become.

Damiano Michieletto's inspired intertwining of the standard double-bill of Cavalleria rusticana and Pagliacci makes for vivid storytelling, the whole supported by an excellent cast solidly directed by Andrea Licata.

The second part of the traditional Cav & Pag double bill on stage at Turin's Teatro Regio

Despite occasionally brilliant singing, the Norwegian National Opera fails to raise seasonal spirits with a dramatically inert Cavalleria rusticana and a shaky Pagliacci.

Renée Fleming joins the Pacific Symphony for Strauss, Italian Songs and Rodgers and Hammerstein. 

A rare pairing of Rachmaninov's Aleko and Leoncavallo's Pagliacci was the first première of the New York City Opera's 2016-2017 season.

A great way to celebrate a 40th musical anniversary was to have some fun enjoying many beautiful arias from the pen of Giacomo Puccini.

A disappointing staging for the Jette Parker Young Artists' annual showcase at the Royal Opera House. 

Welsh National Opera may have reached the ripe old age of seventy but it's very much alive and kicking.

Benjie del Rosario ignites a thrilling Pagliacci, while Cavalleria rusticana is potentially as good but marred by intelligibility and balance issues.

Flórez's recital showed exactly why singers should steer clear of technological assistance. 

Leoncavallo's rarely produced La bohème offers enchanting musical variety, delivered in a well-cast concert staging by West Edge Opera.

The Met’s revival of David McVicar’s year-old take on the perennial Verismo twins strikes out emotionally in Cavalleria rusticana but scores high in Pagliacci. Working on the same set by Rae Smith, flanked by the forbidding stone walls of the town church, Cavalleria is dark, dark, dark – the very picture of a poor, unhappy Sicilian hill town.

A gripping double bill of  “Cav &Pag” from Italian director Damiano Michieletto at Covent Garden includes a few surprise guest appearances. 

In spite of the not insignificant problems, Opera Rara are utterly convincing that Leoncavallo's Zazà is a work that should be seen and heard more often.

Zeffirelli excess and Woody Allen wit: Los Angeles Opera's season opens with a double bill of Puccini's Gianni Schicchi and Leoncavallo's Pagliacci.

Cardiff Castle hosted an entertaining bout of medieval jousting yesterday afternoon, but in the evening all eyes and ears turned to the vocal jousting in St David’s Hall.

Mario Martone's Cavalleria rusticana—Pagliacci returns to La Scala, with results that do not always convince. 

The Met's new production of Cav and Pag boasted strong musical performance, but its production, despite some interesting ideas, was not completely successful.

Operatic twitchers are drawn irresistibly to Rosenblatt Recitals, tempted by the opportunity to spot exciting up-and-coming singers.

In this anti-realistic, colourful and beautifully played production of Pagliacci, the director extends the concept expressed in the Prologue: clowns are real life people, but also real life people are clowns in a larger play.

An attractive double bill of opera and zarzuela paves the way to a new way of performing this fascinating Spanish genre. 

Parisian romance from Opera North for Valentine's Day, from La bohème to Orpheus via café chansons. 

San Diego Opera's season opening Pagliacci focused squarely on the character of Tonio, in Andrew Sinclair's intriguing vision for this verismo classic. But the vocal performances were lacking. A director can only do so much.

As I left Holland Park after last night’s Cavalleria Rusticana and Pagliacci, I found myself wondering what they’d put in the orchestra’s cups of tea at the interval. Or, perhaps, what was it that conductor Stuart Stratford said to them.

There was more than a little drama at Maltese tenor Joseph Calleja’s sold-out concert recital in Dublin’s National Concert Hall this evening. He was joined by Irish soprano Claudia Boyle and the RTÉ National Symphony Orchestra under the baton of Proinnsías Ó Duinn.

Nothing says “Happy Easter” like a bit of alcohol-fuelled murder on the church steps, right? With their new double bill of Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci, the Norwegian National Opera certainly seems to think so!The two productions were done on practically the same sets, albeit with a few differences, which did create a rather wonderful sense of continuity from the fir

120 years after the Metropolitan Opera in New York paired Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci in a single performance, the tradition of staging these representative works of verismo opera in a double bill continued this weekend with a production under the direction of Lo Kingman, Hong Kong’s home-grown doyen of opera.

Tenor Joseph Calleja, conductor Giuliano Carella and the Estonian National Symphony Orchestra presented an interesting choice of repertoire on Monday. The composers were celebrated Italian and French masters of opera, and the programme alternated between overtures for orchestra and arias starring Calleja.

​In each case, you know the murder is coming. In each case the music is explosive and closes the opera: there is nothing left to say except Canio's simple words: "La commedia è finita.

On February 15th, Kennedy Center for Performing Arts in Washington DC proudly hosted a recital of the internationally acclaimed mezzo soprano Joyce DiDonato and famous pianist David Zobel. Part of this season’s Star Series, the recital presented by Washington Performing Arts Society, was given in honor of Vocal Arts 20th Anniversary.