Scottish Ballet in Pastor's Romeo & Juliet

By Cristina de Lucas, 16 May 2014

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Reviewed at Sadler's Wells Theatre, London on 14 May 2014

Romeo and Juliet

Scottish Ballet

Royal Ballet School, School of American Ballet: the future is bright

Amanda Jennings, 18th June

An evening of outstanding dancing from the Royal Ballet School and the School of American Ballet. It was a case of spotting tomorrow’s stars in a beautifully balanced programme.

*****

BRB’s Sir Peter Wright Centenary: a fitting tribute

Graham Watts, 18th June

A splendid evening of celebration for Sir Peter Wright at the Birmingham Hippodrome focusing on excerpts from his own classical ballets and The Green Table by Kurt Jooss.

****1

Acosta Danza Yunior: fabulous dancers, uneven choreography

Deborah Weiss, 17th June

A welcome to Acosta Danza Yunior who have bags of potential. However, not all of the choreography engaged their talents sufficiently in this programme.

***11

Jesús Carmona in UnYdos: extraordinary, rhythmic and theatrical

Graham Watts, 16th June

Compañía de Danza Jesús Carmona in UnYdos was a stunning evening of pure flamenco artistry, enlivened by a tremendous sense of theatre, and augurs well for the rest of the festival.

*****

The Royal Ballet School at the Linbury: innovation and quality

Maggie Foyer, 16th June

The Royal Ballet School performing as part of the Next Generation Festival, offered a host of works by both students and internationally renowned choreographers which proved to be highly enjoyable.

*****

Kontakthof: Echoes of ’78 and Music Music – contrasts in Lugano

Vito Lentini, 11th June

Completely engaging performance of Pina Bausch’s Kontakthof: Echoes of ’78 finds our reviewer disappointed with Music Music from Trajal Harrell in Lugano.

***11

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Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.

Scottish Ballet in Pastor's Romeo & Juliet: A tragedy of eternal rivalry