Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?
The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.
In Hamburg, Kazuki Yamada and the CBSO navigate the thorny brilliance of Walton’s First Symphony, proving that ‘difficult’ music can offer an evening’s most profound human connection.
In the CBSO Benevolent Fund concert, the orchestra tells the timeless story, set in Persia, of Scheherazade who, through her storytelling, brings about peace.
The CBSO’s Birmingham’s Town Hall matinee sets forth a curious mix of Baroque, Classical, and modern music, sandwiching a lesser-known concerto between some familiar tunes.
Mahler’s First Symphony is given a fresh take, revelling in melody, by Kazuki Yamada and the CBSO, while Dai Fujikura’s new Trombone Concerto proves an unsatisfactory indulgence.
Katherine is an enthusiastic choral singer. Becoming chairman of her choir proved the catalyst for writing a memoir into which she crammed musical experiences galore, including her own belated musical education and encounters with professional musicians. Combining music, writing and travel is Katherine’s idea of bliss. Her website is here.
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