Curious Monologues but credible Mahler at the BBC Proms

Allan Clayon, John Storgårds and the BBC Philharmonic Orchestra

John Storgårds

By Roy Westbrook, 22 July 2025

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“an interpretation of persuasive continuity, both within and across movements”

Reviewed at Royal Albert Hall, London on 21 July 2025

Coult, Monologues for the Curious (BBC commission: world premiere)

Mahler, Symphony no. 7

Allan Clayton, Tenor

BBC Philharmonic Orchestra

John Storgårds, Conductor

Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

****1

Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

****1

BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

****1

Questions, answers and city nights: Storgårds and the BBC Philharmonic

Leighton Jones, 17th January

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives to the exhilaration of Adams, taking in Beethoven on their way.

****1

John Storgårds leads the BBC Philharmonic through Shostakovich

Rohan Shotton, 15th November

The BBC Phil's chief conductor led a relentless account of Shostakovich's Tenth Symphony, paired with Dvořák’s Cello Concerto.

****1

Thunderous Mahler from Elena Schwarz and the BBC Philharmonic

Rohan Shotton, 8th November

Elena Schwarz conducts the BBC Philharmonic Orchestra in Mahler's First Symphony, Debussy's La Mer and a rare outing for a trombone concerto.

****1

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Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

Curious Monologues but credible Mahler: BBC Philharmonic and Storgårds at the Proms