Cool cat: Martin Fröst purrs at the BBC Proms

Martin Fröst, Joshua Weilerstein and the BBC Philharmonic Orchestra

Martin Fröst and the BBC Philharmonic Orchestra

Joshua Weilerstein conducts the BBC Philharmonic Orchestra

By Mark Pullinger, 01 August 2025

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“a stratospheric altissimo C, launched into the Albert Hall’s acoustic mushrooms”

Reviewed at Royal Albert Hall, London on 31 July 2025

Barraine, Symphonie no. 2

Copland, Clarinet Concerto

Shaw, Concerto for Clarinet and Band

Gounod, Ave Maria

Rachmaninov, Symphonic Dances, Op.45

Martin Fröst, Clarinet

BBC Philharmonic Orchestra

Joshua Weilerstein, Conductor

Reality television: ENO’s Angel’s Bone in Manchester

Lawrence Dunn, 12th May

Kip Williams and ENO mount an extraordinary new production of Du Yun and Royce Vavrek’s multifaceted opera, with performances of great emotional directness broadcast live on camera.

*****

BBC Philharmonic’s bold but unbalanced Stravinsky and Adams

Leighton Jones, 1st May

Balance issues mar an otherwise compelling programme from John Storgårds and the BBC Philharmonic Orchestra.

***11

Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

****1

Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

****1

BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

****1

Questions, answers and city nights: Storgårds and the BBC Philharmonic

Leighton Jones, 17th January

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives to the exhilaration of Adams, taking in Beethoven on their way.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.