Ullate's Carmen seduces Madrid

By Cristina de Lucas, 01 September 2017

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“not to be missed”

Reviewed at Teatros del Canal: Sala Roja, Madrid on 30 August 2017

Víctor Ullate Ballet

Anna Güell, Costume Designer

Eduardo Lao, Artistic Director

Acosta's Don Quixote for BRB: polished but not quite enough panache

Jonathan Gray, 23rd April

Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.

***11

The Royal Ballet and McGregor: stunning dancing but nothing really new

Deborah Weiss, 18th April

An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.

***11

The Center Will Not Hold: Dorrance Dance thrills at Sadler's Wells

Daniel Pratt, 17th April

Dorrance Dance offer a compelling mix of genres in The Center Will Not Hold – high energy, full of surprises, top quality performances.

****1

Natalia Makarova's La Bayadère: a night to remember in Oslo

Vikki Jane Vile, 17th April

Norwegian National Ballet gives a marvellous rendition of Natalia Makarova's La Bayadère. Opening night in Oslo was a strong argument for its place in any season, displaying ballet escapism at its best.

****1

Pop goes postmodern: Kyle Abraham's Cassette Vol. 1 in New York

Carla Escoda, 16th April

A.I.M by Kyle Abraham with guest artist Taylor Stanley bring a postmodern vibe to an early MTV-era playlist. One of the most bewitching things you're likely to encounter this year.

*****

Scottish Ballet’s Starstruck: plenty of pzazz in Glasgow

Kathy Elgin, 16th April

Christopher Hampson’s newly updated Starstruck is thoroughly entertaining with sexy solos, classical pas de deux and lines of perfectly-timed Broadway hoofing.

****1

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Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.

Victor Ullate’s Carmen seduces Madrid